Arts Thread

Kaan Orkan Pişkin
Interaction Design Bdes

ArtEZ University of the Arts

Graduates: 2025

Specialisms: Interaction Design / Design and Technology / Installation/Sculpture

My location: Berlin, Germany

kaan-orkan-pikin ArtsThread Profile
ArtEZ University of the Arts

Kaan Orkan Pişkin

kaan-orkan-pikin ArtsThread Profile

First Name: Kaan Orkan

Last Name: Pişkin

University / College: ArtEZ University of the Arts

Course / Program: Interaction Design Bdes

Graduates: 2025

Specialisms: Interaction Design / Design and Technology / Installation/Sculpture

My Location: Berlin, Germany

Website: Click To See Website

About

Hello Operator. In my work as creative technologist im driven by the desire to bring technological fantasies to life - whether it's designing interactions of body-responsive machine-, sound-, light- , automation- or multi-agent systems or technical ecologies or spending my time soundscaping. Storytelling is at the heart of my work. I often find myself bringing tools or interfaces alive which allow interactions within a speculative framework I've designed. This framework then serves as a "playground", which forms the base for the most rewarding part of my practice: "play". Once i explore how to combine different mediums to forge an "unstable system", it feels like im playing with Lego's. The outcome of my work always is determined by a holistic approach or also "playing". I believe in the power of mistakes as stepping stones to self-discovery. It happens a lot that i start with an idea and notice that my expected outcome was different in reality. Then, after trying to find fixes or workarounds, i discover routes which are far more interesting and i dive head-first into them. This can happen multiple times before i am fully content with my idea. Once we let go of the fear of making mistakes, we reflect, adapt and grow. My goal is to create platforms and systems for my audience to reach this point of self-discovery.

This installation turns living motion into encryption. Fish in an aquarium generate unrepeatable entropy through their movements, captured and transformed into cryptographic keys powered by life itself. On one side, a real aquarium; on the other, its holographic double—coordinates abstracted into light. This divide questions what happens when life becomes data: Can organic motion serve as an encryption mechanism? At what point does abstraction strip away meaning? Here, the unpredictable patterns of conscious beings generate complexity algorithms can hardly replicate, blurring the boundary between biological spontaneity and digital systems.