Arts Thread

Zoë Wilkinson
Painting MA

Royal College of Art

Graduates: 2025

Specialisms: Painting

My location: London, United Kingdom

zoe-wilkinson ArtsThread Profile
Royal College of Art

Zoë Wilkinson

zoe-wilkinson ArtsThread Profile

First Name: Zoë

Last Name: Wilkinson

University / College: Royal College of Art

Course / Program: Painting MA

Graduates: 2025

Specialisms: Painting

My Location: London, United Kingdom

Website: Click To See Website

About

Zoë Wilkinson (b. 1999) is a British-Caribbean artist. Born and raised in the UK, Wilkinson’s practice endeavours to create an imagined homeland between Guyana and Britain. Using family photographs, autofiction and tropical greenhouses, she makes her world tangible through charcoal and paint. Drawing from an academic background in philosophy, Wilkinson uses Caribbean folklore to reinterpret the gothic beyond the western canon. These postcolonial approaches are made apparent through the use of non-traditional materials which recall legacies of indentured labour such as sugarcane fabric and charcoal, handmade from driftwood. Wilkinson uses writing to build her imagined world. In her large scale works words appear and disappear from the sugarcane paintings according to the randomness of the sunlight which illuminates them. This allows the work itself to become a magical object, transcending the traditional limits of the gallery space and becoming reminiscent of Caribbean folklore. The use of ultramarine blue oil references the colonial history of western art as well as recalling her ancestor’s sea passage according to the whims of the British Empire.  Wilkinson has just completed her MA in Painting from The Royal College of Art for which she was grateful to benefit from the Sir Frank Bowling Scholarship. In 2025 she won a Hesketh Hubbard Bursary for life drawing and was shortlisted for the inaugural Jaguar x RCA prize. She had just been appointed as an Honorary Fellow at the University of Guyana.

Routes to roots: an imagined homeland

Specialisms:

Fine Art Painting

My practice explores an imagined world between Guyana and the UK. Referencing how the sea itself shapes the Caribbean diasporic experience, I use ultramarine blue to signify the legacy of colonialism. Beyond this, I empower Guyanese folklore and subvert the Gothic lens to understand colonialism as an agent of haunting. The final outcomes of the project were painted on sugarcane fabric, recalling my family history in indentured labour. The sugarcane fabric is translucent, allowing words painted on the back of the fabric to appear in natural light. In this way the fabric itself becomes a magical object with its own changing environment. In this body of work plants are used to symbolise the diasporic relationship to homeland. I also use self portraiture to embody myself in my own imagined world.