Arts Thread

Basia Pruszyńska
Design BA

Design Academy Eindhoven

Graduates: 2024

Specialisms: Furniture / Contemporary Craft

My location: New York, United States

basia-pruszyska ArtsThread Profile
Design Academy Eindhoven

Basia Pruszyńska

basia-pruszyska ArtsThread Profile

First Name: Basia

Last Name: Pruszyńska

University / College: Design Academy Eindhoven

Course / Program: Design BA

Graduates: 2024

Specialisms: Furniture / Contemporary Craft

My Location: New York, United States

Website: Click To See Website

About

Basia Pruszyńska is a Polish designer. Her current practice is focused around product and furniture design. Her works are inspired by nature, landscapes, traditional craftsmanship and Polish folklore. For her first solo collection Vernacular light she was awarded a make me! statuette and got to the final of the international design contest make me! In July 2024 Basia graduated from Design Academy Eindhoven with a BA degree in Design.

The Romance is a furniture collection inspired by a personal family story of traditional crafts. I brought together stories of my great-grandad and great-grandma who were both craftspeople. My great-grandad was making everyday use objects and tools out of metal and wood. My great-grandma was working with textiles and decorative embroidery. I explored how the contrast of these stories could work together in one furniture piece. I invited the softness and coziness of my grandma’s embroidery to rough metal and wood. By combining their crafts I was exploring a new aesthetic and experimenting with traditional artisan techniques of working with metal, wood, and textiles to discover a new ‘generation’ of experimental craft. I treated the objects I designed as the results of the metaphorical „romance” between craftswoman and craftsman. I took the materials out of their usual context and used embroidery patterns as technical drawings, and inspirations for form and function. My grandma's collars, tablecloths, and embroidered scarves became a rocking stool, ruffled chair, light shade, etc. I referred back to the original tactility and softness of embroidery by introducing textile to the detail elements and reversing its decorative function. I used ruffles and bows in a simplistic way to combine the furniture parts.