Arts Thread

Bhoomika Prasad
Textiles MFA

Parsons School of Design

Graduates: 2025

Specialisms: Textiles / Textiles - Weave / Textiles - Print/Embroidery

My location: New York, United States

bhoomika-prasad ArtsThread Profile
Parsons School of Design

Bhoomika Prasad

bhoomika-prasad ArtsThread Profile

First Name: Bhoomika

Last Name: Prasad

University / College: Parsons School of Design

Course / Program: Textiles MFA

Graduates: 2025

Specialisms: Textiles / Textiles - Weave / Textiles - Print/Embroidery

My Location: New York, United States

Website: Click To See Website

About

Drawing inspiration from nature's patterns, mythological narratives, and literary worlds, I use weaving and embroidery as my primary techniques. These approaches allow me to investigate materials on my loom and give me experimental freedom. Working with the constraints of these materials brings meaning to my practice and fosters creative growth, resulting in simultaneously structured and organic textiles. In my work, I let the material live as it wants to; I simply provide it with a new means to exist.The core of my work lies in a multisensory approach that extends beyond the visual. I create vibrant, interactive pieces that invite tactile engagement with the textiles. These textiles are meant to be touched, moved through, and experienced dimensionally. This tactile dialogue between viewer and material reveals textiles' unique capacity to communicate complex ideas through direct sensory experience.I work with large-scale projects, primarily using copper wire and optic-fibers. Each material brings its own story to my practice, which leads to extensive research and testing of its limits and capabilities. I gravitate toward large-scale works because they allow me to engulf and absorb my viewers; as a short person, this reflects how I see the world, and presents my perspective.

CONFLUENT PATTERNS investigates material translation of sound phenomena through textile structures, exploring how Chladni figures, acoustic wave patterns first documented by Ernst Chladni, can be reimagined through contemporary weaving. Operating at physics, digital manipulation, and material exploration, this three-phase methodology begins with digital transformation of original Chladni patterns, systematically layering multiple acoustic formations while preserving mathematical integrity. The TC2 jacquard loom serves as a technological interface between digital composition and material manifestation. Black copper wire combined with cotton weft creates visual contrast and material dialogue, metallic elements introducing conductivity referencing sound's electromagnetic properties. This work transforms transient, invisible sound vibrations into enduring material objects, challenging conventional temporal experiences. The resulting textiles function simultaneously as scientific documentation, artistic interpretation, and independent material explorations, offering new perspectives on experiencing sound's invisible architectures.