Arts Thread

Hongil YOON
Arts & humanities MFa

Royal College of Art

Specialisms: Fine Art / Installation/Sculpture / Painting

Location: London, United Kingdom

Hongil Yoon ArtsThread Profile
Royal College of Art

Hongil YOON

Hongil YOON ArtsThread Profile

First Name: Hongil

Last Name: YOON

Specialisms: Fine Art / Installation/Sculpture / Painting

Sectors:

My Location: London, United Kingdom

University / College: Royal College of Art

Course / Program Title: Arts & humanities MFa

About



Hongil Yoon(b.1993), currently lives and works between London and Seoul. He aims to deliver the feeling of isolation, evaluation, and loss of identity through the ambiguity of memory at the boundary between the digital and real. In his body of work, the sense and situations provided by the composition between geometric forms and the dynamism of figures imply various situations and effects that arise at the boundary between the digital and reality, where the implicit external forces fostered by collectivity collide with individuality, as the marginalised identity. Through these processes, Yoon does not merely reproduce images but instead seeks to construct new sensory strata.  He had a solo exhibition, The Blair Witch Project, at SaltSpace Cooperative Gallery in Glasgow, UK. He recently participated in group exhibitions in London, The Summer Day, Silian Gallery, Not With ______, But a Yawn, hosted by Norito Gallery, a Yawn Collective initiative, To Heaven-gate Ascend, Hypha Gallery Marble Arch, Through the Shattered Mirror of Yi Sang at Norito Gallery, Seoul Ghost at Upper Gulbenkian Hall in the Royal College of Art, and the RCA 2025 Degree Show. In addition, he attained the J D Kelly Memorial Prize for the best first year in Fine Art by The Glasgow School of Art. He holds a First Class Honours BA in Painting and Printmaking from the Glasgow School of Art (2024) and completed his MFA in Arts and Humanities at the Royal College of Art, London. 

Channelling the mythic essence of Bacchus, this body of work traces the quiet ache between mediated calmness and eruptive madness. Through fragmented mnemonic spaces and layered visual sequences, it reflects the emotional dislocation of an individual adrift at the edges of collective identity, evoking the psyche of witnessing the collapse of the inner world—detached, unaware, silently descending into ruin. Through layering, randomness, and the metaphorical translation of individual encounters, the work forms dense, liminal spaces that embody trauma, memory, and psychological depth. This work seeks to move beyond the conventional boundaries of painting, encouraging viewers to perceive painting not only as an image but as a physical object. By integrating video into the installation, it establishes a dialogue between analogue and digital media, allowing aesthetic and conceptual dimensions to overlap. This spatial interplay invites viewers to move freely and autonomously, overcoming psychological distance and rethinking their relationship with the painted surface.