Royal College of Art
Specialisms: Animation / Drawing /
Location: London, United Kingdom
First Name: Lauren
Last Name: Hammersley
Specialisms: Animation / Drawing
Sectors:
My Location: London, United Kingdom
University / College: Royal College of Art
Course / Program Title: Animation MA
Lauren Hammersley is a 24-year-old animator and artist from a small town in Suffolk, currently based in London. She graduated from the University for the Creative Arts in 2021 with a first in animation where her film ‘TWITCH’ was made. ‘TWITCH’ has now been featured in many festivals around the world including the Brighton International Animation Festival and recently nominated for best super short film at the Student World Impact Film Festival. As well as talking about her film on stage at Brighton, she’s recently been invited to be interviewed for a podcast discussing her film making process. After graduating from the UCA, she completed her first out of university project, ‘A Beautiful Morning’, which has also been selected for a variety of festivals. Lauren loves to experiment and play with different materials and techniques as well as her more simpler 2D animation approach to create her films.
Aside from animation, she loves photography (which was a big impact on ‘TWITCH’) and is currently illustrating a children’s book. She also sells artwork online and has done many commissioned pieces.
‘Just One Pint’ is a short animated narrative film following Haley, a 23 year-old girl dealing with the ending of an abusive relationship. In an attempt to numb herself, she uses alcohol and cigarettes as a coping mechanism. I wanted to make this film as a way to explain to others why some people who are suffering use unhealthy substances (such as alcohol, drugs etc). This is my graduate film from RCA and my most recent project.
My approach to film making begins with an idea that often comes from a deep emotion within myself or one I see in others. The thing I like to do most in life is help other people and try to put a smile on their face (as cheesy as that sounds) so, through the use of animation, I explore ways in which people struggle using a variety of techniques and approaches, aiming to help with the comprehension of these sensitive topics. During my time in my undergrad I found myself drawn to the experimental side of animation. I tend to take an autoethnographical approach to my work, often attempting to find new ways to discuss topics that personally affect me, such as mental health. I’ve found animation to be a very useful tool in helping me express these emotions that are difficult to explain as well as the general abstract concepts of the mind. This film began with the intention of finding a creative way to express to the viewer why some people use unhealthy coping mechanisms when struggling. As these are important topics to discuss, my first step was talking with others about their experiences, in order to make the film more understandable and relatable. Lots of my time this year was spent researching addiction, why we do the things we do, watching others films in order to help figure out my structure and technique etc. I think some projects need to develop and expand at their own pace; I usually think of my projects as being alive in that sense, letting them go down the path that feels right, continuously checking that the message I’m aiming to explore is coming across. Experimentation is an extremely important part of my process and one that often produces many things that aren’t used, but even these parts are important. One idea that doesn’t work may lead to an idea that does.
Showreel (edited 2021)