Arts Thread

Nancy Farrington
Design Crafts BA(Hons)

Swansea College of Art UWTSD

Graduates: 2024

Specialisms: Glass / Textiles

My location: Swansea, United Kingdom

nancy-farrington1 ArtsThread Profile
Swansea College of Art UWTSD

Nancy Farrington

nancy-farrington1 ArtsThread Profile

First Name: Nancy

Last Name: Farrington

University / College: Swansea College of Art UWTSD

Course / Program: Design Crafts BA(Hons)

Graduates: 2024

Specialisms: Glass / Textiles

My Location: Swansea, United Kingdom

Website: Click To See Website

About

Nancy Farrington works with kiln casting to explore the materiality of glass through a textile lens. Using fabric manipulation techniques such as smocking and gathering, she has developed her own unique processes to translate textiles into glass, allowing her to explore the interplay between opposing material qualities - soft and hard, transparent and opaque, fragile and robust. Working with both the natural drape of fabric and the constraints of casting, she allows her sculptural forms to arise spontaneously during the making process, resulting in an eclectic mix of shapes with aesthetic links to geology, confectionary, and bodily forms. The cultural histories of stitching imbue her work with themes of femininity, women’s work, historical fashion and nostalgia, also reflecting her own personal interests and research.  

Sugar and spice

Specialisms:

Contemporary Craft Glass

‘Sugar and spice’ is a collection of sculptural cast and polished glass. Cast directly from smocked fabric, these pieces explore the interplay between the materiality of textiles and glass, reimagining the role of decorative stitch within the contemporary landscape. During the various stages of the making process, the pieces undergo many transformations of form, from the waxed fabric, to the mould, to the eventual glass piece – each preceding form being destroyed in the process. The journey from positive, to negative, to positive again draws parallels with the ever-changing nature of women’s bodies, roles and societal expectations, with the resulting glass sculptures having an abstracted and distorted resemblance to bodily forms. Research into the material connotations of vintage underwear, interiors, makeup and upholstery has informed a nostalgic colour palette of dusty nudes, chartreuse and pink, inspired by the tactile satins, silks and velvets of times gone by. The material of glass gives a new perspective to stitched textiles that would otherwise go unseen, as the polished facets offer a view into the negative space of the folds from the inside out.